- Addictive drums vs superior drummer 2 for free#
- Addictive drums vs superior drummer 2 full#
- Addictive drums vs superior drummer 2 software#
- Addictive drums vs superior drummer 2 professional#
I was very disappointed with how the interface turned out, and even given the opportunity to try it out for free I still was too frustrated to give it a fair shot. I have been waiting for SSD5 after hearing how great SSD4 sounded, and that interface changes were supposedly one of the focuses of SSD5.
Addictive drums vs superior drummer 2 professional#
Every drum kit is recorded in world-class studios by industry professionals and amazing drummers to give you professional sonic options and creative control.
Addictive drums vs superior drummer 2 software#
However, this is often unnecessary anyway because there's a pretty extensive library of kits in AD2 that are already set up properly. Addictive Drums 2 is a software drum production studio featuring professionally recorded acoustic drums, live rhythm performances and high quality built in effects. I thought that at the bare minimum, the roland and yamaha sets would have presets already made for them.Ĭomparing that to AD2, which has a fantastic learn function where you just push "learn" on the sound you want to trigger, then hit the pad you want to use it for. I dont care what anyone says I can hear the diff. I appreciate the sounds SSD5 is capable of, but it means nothing if they don't put the effort into making it easy and fun to use. For a final product the primary difference is EZ2 is 16 bit and Superior is 24 bit. I have a yamaha DTX-502 module, which has been around for long enough to get some love. I tried the free kit, and there was only a handful of e-drum set presets, and it was NOT going to be easy to get my set to correctly register. It wasn't just questionable, it was an absolute turn off. The biggest problem with SSD5 for me was the interface. But drums I feel cater more to Metal, Heavy Rock and Classic Rock. So anyone who has experience with both or just owns SD3 and can answer this, should I pay twice as much for SD3 over AD2? Is it adjustable enough to get some really fat and dry tones from the kits? Cymbals I'm ok with. Everything seems to have a lot of resonance. Kits that would be good for pop, indie, folk or general alternative music. I just have yet to hear a really solid set of controlled tones. Many of the kits sound "great" and are kits I would gladly play just for practice or in real life. However, my concern is really in the aesthetics of the drums. Also, there appears to be more cohesion with how all of the pieces work together.
Addictive drums vs superior drummer 2 full#
I know that it is packed full of modifications, has incredible sound quality, amazing levels of detail and articulation, tons of kit, snare and cymbal options, as well as snare on/off, mallet and brush options included. Superior Drummer 3 is far and away THE VST that people talk about and recommend. Sound wise, AD2 fits my tastes a bit more (not metal or heavy rock). These pieces also do not need to be selected at once. That pack allows you to personally select 6 ADPacks, 6 MIDI Packs and 6 Kit pieces. I'm thinking with SD3, I can eliminate this two-program jumping back and forth and just use SD3 for everything.Right now I can pick up a copy of Addictive Drums 2: Custom XL for $200. With EZD you've only got 1 ambient track, with Chocolate Audio's you've got 4 room mics and then the individual kit mics. The room mics are really the only thing that keeps me doing it this way. I've used EZD2 for a while now and write with it, once I'm done writing the drum track, I open up Chocolate Audio's Black Album drums, import the MIDI in that, then bounce it into individual audio files, so I can have a separate track in Logic for every drum/room mic.
In the context of writing/recording/mixing a song, it's minimal work and if you really pay close attention, you can get some really realistic sounding drum tracks. With MIDI's I write on my own or have gotten somewhere else, it doesn't take very long to adjust the velocities to get them feeling 'right'. I have thousands of MIDI's saved on my hard drive and I can always tell when one isn't one of theirs, because every hit is at 128 already, anything I've gotten from ToonTrack has been a nice colorful display of varying velocities and they don't always sit directly on the grid. They're own MIDI's are quite dynamic regarding the velocities, at least they have been in the past.
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